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Hip Hop Harry aired on Discovery and TLC from 2006 to 2008. Imagine Barney and Friends, but if you replaced all of the songs about acquirements and processing your affections with … rapped versions of songs about processing your emotions. Oh, and if Barney wore a agee advanced border hat and an astronomic chain. (Coincidentally, David Joyner, the amateur in the Barney costume, was the aboriginal amateur in the Hip Hop Harry suit, too.) And aloof like Barney and Friends, anniversary adventure bankrupt with a signature song—but instead of the “I Love You” song, Hip Hop Harry acclimated the ball circle.
The purpose of this segment, according to Brooks, was to accord kids a accolade for advantageous absorption to the blow of the show. “What they’re adulatory with that ball amphitheater is that they abstruse a abundant lesson,” he says, “but appropriately chiefly is that it aloof gives them a time to flash and appearance off their bathe moves.”
Brooks started seeing the song, with its appropriate repetitive alarm to action, booty on a activity of its own beforehand this year, aback it started to accretion absorption on TikTok and Instagram. The aboriginal videos of the meme are basically aloof extensions of the on-show circle, with bodies bathe dancing in their bedrooms or on a blooming awning accomplishments of the show’s set. The song was actuality acclimated by bags of altered people: Little kids. Big kids. Kids and their parents. Parents aflame to go aback to work. Kids admission from college. Kids and their dogs. He was in awe.
Before long, the song started demography a hardly altered tone. Clips of the appearance started bustling up on Twitter, accompanying assertive headlines. “Protesters in the U.S. and Europe are ambitious the abatement of statues that approach colonialism”; “‘Cops’ has clearly been canceled by Paramount Network four canicule afterwards it was pulled from the schedule”; “HelloFresh has clearly concluded their affiliation with Lea Michele amidst the allegations adjoin her from the set of ‘Glee.’” As the beef movement grew, the absolute became explicit: who’s next?!
Brooks has apparent the memes, and he’s animated his assignment has begin a new audience. “When you put a allotment of affectionate of like art out, you’re not declared to say, ‘Hey, I’m activity to acquaint you how I appetite you to attending at my art,’” he says. “We were authoritative the song for empowerment, for activity ‘be the best.’ And they angry it into ‘Who’s Next?’—but additionally ‘What’s Next?’ in a acceptable way.”
The way the song has acquired gives Brooks hope. “We, in a lot of ways, accept accounting off the adolescent bodies in this generation. ‘They’re so ashore on their phones, they’re not acquainted of what’s activity on out there, no one has any drive.’ But ‘Go Go Go Who’s Next’ is the exact opposite. The non-aware bearing is actual abundant aware! They’re affairs into who’s next.”
In his mind, both abandon of the meme—the added apolitical celebrations and candidly political—are both armament for good. “This is a aces me up, galvanizing song,” he notes. But it’s additionally “one of the better things in hip hop culture, African culture, application song and music and ball to advance change.”
As acceptance of the meme continues to skyrocket, the song has become a nice soundtrack to the movement to avert atramentous lives and abate the police. It’s not what Claude Brooks accepted 20 years ago but it feels applicable nonetheless. It’s become a apparatus for learning, for progress, for change—even if it’s not absolutely acclimated in an educational context. And as it continues to pop up, its drive seems to grow. The catechism remains: Who’s next?
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